We have also got some limited A2 posters printed that you will be able to pick up on the day for just £1. They look like this -
We are a Manchester based, independent Punk & Ska label. That's Not Skanking started life as a monthly gig and a free fanzine in 2003. TNS has evolved to include a label, podcast, distro, gigs and a free fanzine. We are going to use this blog to keep you up to date with the latest TNSrecords news and maybe a few musings.
Wednesday, 5 January 2011
Tickets Now Available for March All-Dayer
We have also got some limited A2 posters printed that you will be able to pick up on the day for just £1. They look like this -
Tuesday, 21 December 2010
A FREE awareness gig

We are helping Tom Houseman from Sense of Urgency/Rising Strike fame to put on a FREE gig on the 16th Jan in support of defending the arts, humanities and education for all. It will also incorporate information about the cuts and related subjects.
You can find out more and keep up with the plans on the facebook group HERE
Monday, 20 December 2010
Our Top 10s (ish)
Brendan Kelly/Joe McMahon - Wasted Potential
China Shop Bull - Rave to the Grave
Punk Rock Generation vol. 3
The Arteries - Dead Sea
Smoke or Fire - the Speakeasy
Off With Their Heads - In Desolation
The Beatsteaks - Limbo Messiah
Fractions - Release
Off with their Heads - In Desolation
Kirkz - Aggroculture
Top Gigs
Strummercamp
Ennio Morricone
AM Taxi - We Don't Stand a Chance
The Menzingers - Chamberlain Waits
Bangers - Dude Trips
Iron Chic - Not Like This
The Flatliners - Cavalcade
Cynics - Stones I've Thrown
ONSIND - Dissatisfactions
Smoke or Fire - The Speakeasy
Tigers Jaw - Two Worlds
Fav Shows
21st March, KRO Bar - MN#1 - Arteries, Bangers, Above Them, Just Panic and Leagues Apart
15th September, Old Bell, Derby - Off With Their Heads, A,IHN, Leagues Apart, Rooftops and Pacer
Nuclear Rabbit - Vicuna
Bill Frisell - Further East/Further West
The Cardiacs - Sing to Gods
John Zorn - Naked City
Oingo Boingo - Farewell: Live From The Universal Amphitheatre, Halloween 1995
Slayer - Reign In Blood
Mr Bungle - Mr Bungle
Kultur Shock - Integration
Flat Earth Society - Isms
2 Hot Stove Jimmy- Theme For A Major Hit
3 Blue Meanies- full throttle
4 Pantera- far beyond driven
5 Bad Brains- rock for light
6 Guns N Roses appetite for destruction
7 Sizzla- rastafari
8 Rico And The Ruddies- hold your horn
9 John Coltrane- best of the vanguard years
10 Curtis Fuller- blue not sessions
Tuesday, 7 December 2010
The All Dayer To End All Dayers
Monday, 29 November 2010
WARNING: May Contain Cuts
Here is an article by Tom Houseman (Sense of Urgency/Rising Strike) that will feature in the next issue of the fanzine, which is due out next month. Enjoy.
WARNING: May Contain Cuts
After decades of spin doctors, broken promises, and bare-faced lies, it should at last be widely acknowledge that the lifeblood of British politics is misdirection. With that in mind, it is bizarre that we have taken at face value the coalition government’s zealous imposition of its cuts. “We all have to do our bit”, chant the slack-jawed public into the reporter’s microphone, as if repetition will suffice in the absence of thought or discussion. The more sophisticated version of this mantra is the claim that “I’m not happy about it, but public sector workers/students/the arts have to shoulder their share of the burden”. Underlying this claim is the ultimate misdirection: by assuming that the state (i.e. the taxpayer) should only pay for things that contribute to the economy, we’re making massively important statements about what society is and should be – and as long as these statements slip under the radar of public debate, austerity budgets will continue to go unopposed.
Education, like art, is not an investment. It should not be judged in terms of its expected financial return, as it has an intrinsic value not captured by its profitability. More importantly, education and art are completely disfigured when left to the brutal logic of cost and benefit. The students who, increasingly, make their university choices with only careers in mind will only learn what is useful for business, until academia is nothing more than the training of the account managers and sales executives of tomorrow. If art is only viable in spaces that attract the approval of private financiers, at best, it will only ever reflect the preferences, lives and experiences of the rich. At worst, it will go the way of all cultural commodities, becoming ever cheaper and more disposable. (In this way, acquiescing to the cuts is tantamount to making the X Factor the model for all creativity).
Lurking behind the increase in university fees and the various cuts to the arts, to education, to public services, and to benefits, is the awful inner logic of a society in which capitalism sets the terms of debate. The government is trying to abdicate our responsibility as a society to guarantee the integrity of things that would be destroyed or mutilated if left to the logic of the market. They are attempting to render all social life subservient to the open competition of narrowly-defined self-interest. As any sane person can recognise, such naked competition will only ever have one result: those with the necessary resources will acquire yet more, while those born with little will die with nothing.
Learning for learning’s sake, art for art’s sake, genuine democracy, and protection from extreme poverty, are not luxuries that can be restricted to those that can afford it when a nation finds itself strapped for cash. They are society itself. If we do not protect these fragile spaces from the overbearing logic of the market, they will wither and die, leaving us with nothing other than a new feudalism, where we serfs eke out an immiserated existence, paying tribute to the Lord-Bankers for little more than the right to keep working for them.
